Elgar/Dvorák: Cello Concertos
Alban Gerhardt's first studio recording of the two most famous concertos in the entire cello repertoire represents the fruit of 35 years of kinship with these masterpieces. Bolstered by the forces of the WDR Sinfonieorchester under Andrew Manze, Gerhardt offers interpretations which challenge inherited conventions and, in Gerhardt's words, make a 'return to the sources: the scores themselves', prompting the question: should we consider anew what is the 'correct' approach of playing these works?
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Alban Gerhardt's first studio recording of the two most famous concertos in the entire cello repertoire represents the fruit of 35 years of kinship with these masterpieces. Bolstered by the forces of the WDR Sinfonieorchester under Andrew Manze, Gerhardt offers interpretations which challenge inherited conventions and, in Gerhardt's words, make a 'return to the sources: the scores themselves', prompting the question: should we consider anew what is the 'correct' approach of playing these works?
