
Japanese Horror Cinema
Japanese Horror Cinema is a much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years and provides an insightful examination of the traditionās most significant trends and themes.
A much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years, Japanese Horror Cinema provides an insightful examination of the traditionās most significant trends and themes. The book examines the genreās dominant aesthetic, cultural, political and technological underpinnings, and individual chapters address key topics such as: the debt Japanese horror films owe to various Japanese theatrical and literary traditions; the popular āavenging spiritā motif; the impact of atomic warfare, rapid industrialisation and apocalyptic rhetoric on Japanese visual culture; the extents to which changes in the economic and social climate inform representations of monstrosity and gender; the influence of recent shifts in audience demographics; and the developing relations (and contestations) between Japanese and āWesternā (Anglo-American and European) horror film tropes and traditions. Extensive coverage of the central thematic concerns and stylistic traits of Japanese horror cinema makes this volume an indispensable text for a myriad of film and cultural studies courses.Features:* Includes a preface by Christopher Sharrett* Each chapter covers a fundamental aspect of Japanese horror cinema and is written by an expert in the field* Case studies include internationally renowned films such as Nakata Hideoās Ringu, Ishii Takashiās Freeze Me and Fukasaku Kinjiās Battle Royale* Appendices feature an interview with maverick filmmaker Miike Takashi and a filmography of Japanese horror films currently available in the UK and US.
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Japanese Horror Cinema is a much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years and provides an insightful examination of the traditionās most significant trends and themes.
A much-needed critical introduction to some of the most important Japanese horror films produced over the last fifty years, Japanese Horror Cinema provides an insightful examination of the traditionās most significant trends and themes. The book examines the genreās dominant aesthetic, cultural, political and technological underpinnings, and individual chapters address key topics such as: the debt Japanese horror films owe to various Japanese theatrical and literary traditions; the popular āavenging spiritā motif; the impact of atomic warfare, rapid industrialisation and apocalyptic rhetoric on Japanese visual culture; the extents to which changes in the economic and social climate inform representations of monstrosity and gender; the influence of recent shifts in audience demographics; and the developing relations (and contestations) between Japanese and āWesternā (Anglo-American and European) horror film tropes and traditions. Extensive coverage of the central thematic concerns and stylistic traits of Japanese horror cinema makes this volume an indispensable text for a myriad of film and cultural studies courses.Features:* Includes a preface by Christopher Sharrett* Each chapter covers a fundamental aspect of Japanese horror cinema and is written by an expert in the field* Case studies include internationally renowned films such as Nakata Hideoās Ringu, Ishii Takashiās Freeze Me and Fukasaku Kinjiās Battle Royale* Appendices feature an interview with maverick filmmaker Miike Takashi and a filmography of Japanese horror films currently available in the UK and US.










