
Writing in Time
Emily Dickinson's Master Hours Winner of the 2023 Richard J. Finneran Award for the best book about editorial theory or practice.
A major event in Dickinson scholarship, Writing in Time: Emily Dickinsonâs Master Hours proposes new constellations of Dickinsonâs work as well as exciting new methodologies for textual scholarship as an act of âintimate editorial investigation.â
For more than half a century, the story of Emily Dickinsonâs âMasterâ documents has been the largely biographical tale of three letters to an unidentified individual. Writing in Time seeks to tell a different storyâthe story of the documents themselves. Rather than presenting the âMasterâ documents as quarantined from Dickinsonâs larger scene of textual production, Marta Wernerâs innovative new edition proposes reading them next to Dickinsonâs other major textual experiment in the years between ca. 1858â1861: the Fascicles. In both, Dickinson can be seen testing the limits of address and genre in order to escape bibliographical determination and the very coordinates of âmasteryâ itself. A major event in Dickinson scholarship, Writing in Time: Emily Dickinsonâs Master Hours proposes new constellations of Dickinsonâs work as well as exciting new methodologies for textual scholarship as an act of âintimate editorial investigation.â
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Emily Dickinson's Master Hours Winner of the 2023 Richard J. Finneran Award for the best book about editorial theory or practice.
A major event in Dickinson scholarship, Writing in Time: Emily Dickinsonâs Master Hours proposes new constellations of Dickinsonâs work as well as exciting new methodologies for textual scholarship as an act of âintimate editorial investigation.â
For more than half a century, the story of Emily Dickinsonâs âMasterâ documents has been the largely biographical tale of three letters to an unidentified individual. Writing in Time seeks to tell a different storyâthe story of the documents themselves. Rather than presenting the âMasterâ documents as quarantined from Dickinsonâs larger scene of textual production, Marta Wernerâs innovative new edition proposes reading them next to Dickinsonâs other major textual experiment in the years between ca. 1858â1861: the Fascicles. In both, Dickinson can be seen testing the limits of address and genre in order to escape bibliographical determination and the very coordinates of âmasteryâ itself. A major event in Dickinson scholarship, Writing in Time: Emily Dickinsonâs Master Hours proposes new constellations of Dickinsonâs work as well as exciting new methodologies for textual scholarship as an act of âintimate editorial investigation.â












